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https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1727192490311-2KGUYWW6NX0XNEFTERW0/Where+are+my+heroes%3F.png fashionfilmfestivalchicago.com https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1727192507980-KV5JFD1X00VLX2D7BMDX/Xavier+Garcia+-+Gloss+AW23.png fashionfilmfestivalchicago.com https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1727192498710-HSYQOLNCVE2AOJRMUJLL/World+Saviors.png fashionfilmfestivalchicago.com https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1727192529319-UGX50U7QRVKS53VPRW9X/Zero%26Beauty.png fashionfilmfestivalchicago.com https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732292613726-PGGYPLRB46BAVAJIUUBP/Vivier+Expressfffc.png fashionfilmfestivalchicago.com - "Vivier Express" - 2024 Narrative Gold Award - Nicolangelo Gelormini, director “Vivier Express” - Narrative Gold https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732292870388-0ARJR88ZGHWI8LOBQAP6/No+More+Lovefffc.png fashionfilmfestivalchicago.com - "NO MORE LOVE" - 2024 Narrative Silver - Zafar Mehdi, director “NO MORE LOVE” - 2024 Narrative Silver https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732293210889-4R3OAZ82ETWJVS88683C/Renaciendo+la+luzfffc.png fashionfilmfestivalchicago.com - "Renaciendo la Luz" - 2024 Narrative Bronze Award - Francisco De Leon Villafaña, director “Renaciendo la Luz” - Francisco De Leon Villafaña, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732293433387-I28RZ68ORT3VX7TCOYGD/Art+For+Wearff.png fashionfilmfestivalchicago.com - "ART FOR WEAR" - 2024 Documentary Gold -Nick Ranger, director “ART FOR WEAR” - Nick Ranger, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732295049651-WDRP1I20627GV3DL5DZ9/Banshee+Behind+The+Brandfffc.png fashionfilmfestivalchicago.com - "Banshee Behind The Brand" - 2024 Documentary Silver Award - Erin Florence Babbin, director “Banshee Behind The Brand” - Erin Florence Babbin, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732298558725-I5FRJ60PATUN6PPVW8E1/The+Amsterdam+T-Shirt+Projectffffc.png fashionfilmfestivalchicago.com - "The Amsterdam T-Shirt Project" - Matthew Donahue, Joshua Lightle, directors “The Amsterdam T-Shirt Project” - 2024 Documentary Bronze Award - Matthew Donahue and Joshua Lightle, directors https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732298938998-PBC1HF9MU14ZRNON3M32/Chasing+The+Drumsfffc.png fashionfilmfestivalchicago.com - "Chasing The Drums" - 2024 Experimental Gold Award - SHAPXO, director “Chasing The Drums” - SHAPXO, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732299206631-FWMB8LBV86W85DWQ4FEH/Unolali+-+The+Red+Godsfffc.png fashionfilmfestivalchicago.com - "Unolali - The Red Gods" - 2024 Experimental Silver Award - Nicholas Murphy, director “Unolali - The Red Gods” - Nicholas Murphy, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732299388907-D21NUW925Q7VXLSPLODP/Cranefffc.png fashionfilmfestivalchicago.com - "CRANE" - 2024 Experimental Bronze Award - Javier Edwards, director “CRANE” - Javier Edwards, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732301325390-EZPSAOWLI0SXICNBMQ77/Poppy+Lissimanfffc.png fashionfilmfestivalchicago.com - "Poppy Lissiman" - 2024 Accessory Award - Isabella Perron De Marte, director “Poppy Lissiman” - Isabella Perron De Marte, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732301690160-8O160W1ME0N0VNMEZBQW/Sustainable+Stylefff.png fashionfilmfestivalchicago.com - "Sustainable Style" - 2024 Eco-Sustainable Gold Award - Jacob Partridge, director “Sustainable Style” - Jacob Partridge, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732302027274-J25LORLH5UZHC2XG7N9Z/SEEMINGLYfffc.png fashionfilmfestivalchicago.com - "SEEMINGLY" - 2024 Silver Eco-Sustainable Award, Valérie Pellet, director “SEEMINGLY” - Valérie Pellet, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732302508016-9819INAWP3Q9SD6Y9XT6/Stories+Garments+Tellfffc.png fashionfilmfestivalchicago.com - "Stories Garments Tell" - 2024 Eco-Sustainable Bronze Award - Shelley Davis, director “Stories Garments Tell” - Shelley Davis, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732302792838-W60I2I7R77F5FPASL7OP/LETUffffc.png fashionfilmfestivalchicago.com - "LETU" - 2024 Molto-Corto Gold Award - Pavel Kulyovkin, director “LETU” - Pavel Kulyovkin, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732303075925-BAMVIVO5G03DCPC5TMCW/Transitionsfffc.png fashionfilmfestivalchicago.com - "TRANSITIONS" - 2024 Molto-Corto Silver Award - Luis Velasco, director “TRANSITIONS” - Luis Velasco, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732303239404-2BGY1ML2VNB3AILWVPHU/The+Shape+of+Lifefffc.png fashionfilmfestivalchicago.com - "The Shape of Life" - 2024 Cinematography Award - Nicola Martini, director “The Shape of Life” - Nicola Martini, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732303400503-M497E7IAXI5RZ2FL10H7/Sock%27s+Manifestofffc.png fashionfilmfestivalchicago.com - "Sock's Manifesto" - 2024 Comedy Award - Angeliki Pardalidou, director “Sock's Manifesto” - Angeliki Pardalidou, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732303597268-450ILC6KT6BM1745MMDL/Hong+Kong+Ballet%3A+Tutu+Academyfffc.png fashionfilmfestivalchicago.com - "Hong Kong Ballet: Tutu Academy" - 2024 Creative Concept Award - Dean Alexander, director “Hong Kong Ballet: Tutu Academy” - Dean Alexander, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732303788138-DUQ2E0KDQPM1MWWFAXA2/DOMANI+AMAMI+ANCORAfffc.png fashionfilmfestivalchicago.com - "DOMANI AMAMI ANCORA" - 2024 Editing Award - Jan Devetak, director “DOMANI AMAMI ANCORA” - Jan Devetak, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732303966364-EBLVZO0G9NWJX8ALVRNX/Chasing+The+Drumsfffc.png fashionfilmfestivalchicago.com - "Chasing The Drums" - 2024 HMUA Award - SHAPXO, director “Chasing The Drums” - SHAPXO, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732304871025-MLQQEV9KW9J03W8XHQXK/Screenshot+2024-11-22+at+1.47.11%E2%80%AFPM.png fashionfilmfestivalchicago.com https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732304155065-3X6KH50HHAANTXQWVJYE/how+many+stitchesfffc.png fashionfilmfestivalchicago.com - "How Many Stitches?" - 2024 Emerging Talent Gold Award - Ziyue Xue, Tara Mobasher, Tianshu Hu, Sidra Dahhan, directors “How Many Stitches?” - Ziyue Xue, Tara Mobasher, Tianshu Hu, Sidra Dahhan, directors https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732304361284-FH5129KCQ5F9ND4EAW4X/%27Pilot%27-+A+Jarrah+Webster+Story.png fashionfilmfestivalchicago.com - "'Pilot'- A Jarrah Webster Story" - 2024 Emerging Talent Silver Award - Sawyer Brice, director “'Pilot'- A Jarrah Webster Story” - Sawyer Brice, director https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1732304883702-AVX31KD4OXIZ9SUKTL8K/Screenshot+2024-11-22+at+1.47.33%E2%80%AFPM.png fashionfilmfestivalchicago.com https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693359631-5X26270LNMNIVQ7ACU91/A+day%27s+dream+%28Aimee+Joyce+London%29.png fashionfilmfestivalchicago.com - A Day's Dream - dir. Dyana Risko https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693390689-N60WFCY4YBF1SZCLFFBV/A+Static+Summer%27s+Tale.png fashionfilmfestivalchicago.com - A Static Summer's Tale - dir. Luca Nistler https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693418715-EONBJF649ZVJ03DAMF2L/An+Outfit.png fashionfilmfestivalchicago.com - An Outfit - dirs. Zohra, Isaias Perez https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693445070-UJ2FETFMUZB2D6Y83N3M/ARAI.png fashionfilmfestivalchicago.com - ARAI - dir. Clara Rodriguez Arasanz https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693470103-HSG17EKB5UX2H2CDVTP3/Assolombarda+-+L%27Arte+di+Fare+Impresa+%5BThe+Art+of+Entrepreneurship%5D.png fashionfilmfestivalchicago.com - Assolombarda - L'Arte di Fare Impresa - dir. Giulia Achenza https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693499093-WJQ6SGDAJU4P9F9EL2K6/Back+To+School.png fashionfilmfestivalchicago.com - Back to School - dir. Victor Claramunt San Millan https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693552588-C852V7P7I5K30FHTW9YJ/Blossoming+ones.png fashionfilmfestivalchicago.com - Blossoming Ones - dir. Zhenia Kazankina https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693602199-SPY230VSZIVKE49KKES8/Cenizas+-+La+Petite+Mort.png fashionfilmfestivalchicago.com - Cenizas - La Petite Mort - dirs. Jairshkov Meschanskaia, Andres Roldan https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693641811-732UL3GSGP080I1MYBR6/Caulisious.png fashionfilmfestivalchicago.com - Caulisious - dir. Tilley Aga Thom https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693678499-UFNUQWJIVETL9ADIC2T6/CERNUNNOS.png fashionfilmfestivalchicago.com - Cernunnos - dir. Glauco Citati https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693709549-XHJ9BGQW2KBBFDOOAOXY/Costas+Tzanedakis%2C+the+magician+of+colors.png fashionfilmfestivalchicago.com - Costas Tzanedakis, The Magician of Colors - dir. Dimitrios Vorris https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693738923-CJS5JFJBW3UQPZ3Q41FL/Costume+Royalty.png fashionfilmfestivalchicago.com - Costume Royalty - dir. Edward Morrison https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693764237-TPPKP0BS1HTZTW41SCND/Dago.png fashionfilmfestivalchicago.com - Dago - dir. Villain https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693813919-9Z7AJ6HJV3JTWWKW1VVI/De%CC%81ja%CC%80+Re%CC%82ve%CC%81.png fashionfilmfestivalchicago.com - Deja Reve - dir. Paris Mumpower https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693838949-4A23GNAG1F75ZS75QP4Y/Dreams.png fashionfilmfestivalchicago.com - Dreams - dirs. Mzamo Bruce, Stanford Shumba https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693867418-P8XAQGMIPRH83AXJKIIX/EDHER+GIN+W24+SPACE+COWBOY.png fashionfilmfestivalchicago.com - Edher Gin W24 Space Cowboy - dir. Ildefonso Villarreal Antunez https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693894941-EKLGQ9FG602TG0GDVIVJ/EDO+ODION.png fashionfilmfestivalchicago.com - Edo Odion - dir. Samuel Chukwuebuke Iwor https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693916675-D2VZJVDLG8R2H3ERKCJW/Elysion.png fashionfilmfestivalchicago.com - Elysion - dir. Christos Panagiotou https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693956746-GJ558XAWE3KOSSWWWOLU/Extravaganza+-+The+Collector.png fashionfilmfestivalchicago.com - Extravaganza - The Collector - dir. Daniele Testi https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759693988291-ZYTOC61N4J3XV46SRI7M/From+fisherman%27s+son+to+fashion+designer.png fashionfilmfestivalchicago.com - From Fisherman's Son to Fashion Designer - dir. Ben Unger https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694011669-1AO10BS6IINNKTARTV1P/GLOW.png fashionfilmfestivalchicago.com - Glow - dir. Samir Fennane https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694034626-TYJ5JPFQYH4W2QVX6SC3/Goblin+Market.png fashionfilmfestivalchicago.com - Goblin Market - dir. Andrew Maclean https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694059870-CZKSUL8DDR373GTE9MT0/House+of+Lanvin.png fashionfilmfestivalchicago.com - House of Lanvin - dirs. Dane Reiley, Alda Matos, Frank Peluso https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694083676-L9W4SMQPOOXN9KT54BIW/In+Warsaw.png fashionfilmfestivalchicago.com - In Warsaw - dir. Dominika Machel https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694111722-V7GKGVNH8ML2OUE3PLSC/I+Will+Cherish+Your+Love+As+A+Beautiful+Adornment+%28w%3Acaptions%29.png fashionfilmfestivalchicago.com - I Will Cherish Your Love As A Beautiful Adornment - dir. Andrea Long https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694141387-6EZRY9IF20ZOE902DV5E/Karesansui.png fashionfilmfestivalchicago.com - Karesansui - dir. Ola Bodnarus https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694166639-2Y8J21NBNGPV5611V4Q6/Layers+of+Us.png fashionfilmfestivalchicago.com - Layers of Us - dir. Tansi Makele https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694191777-G13VDYIHW57HG5UZN7GP/Legatum.png fashionfilmfestivalchicago.com - Legatum - dirs. Eduardo Barbetta, Giuliny Shauer https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694235128-P35FNPL707H7V6PAAEFH/Light+Between.png fashionfilmfestivalchicago.com - Light Between - dir. Rob La Terra https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694255291-3LGKN8SUZTT37D4BK3G7/Liver+Heritage.png fashionfilmfestivalchicago.com - Liver Heritage - dir. Nver Hovhannisyan https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694282412-6JXN89CEQG04RVWF1BN0/Memory+Fossil.png fashionfilmfestivalchicago.com - Memory Fossil - dir. Jacqueline Yeon https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694308564-OYJDMXH8GWYW81H77AXT/Mijo.png fashionfilmfestivalchicago.com - Mijo - dir. Mazdey https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694332040-1XB77DP8WAFXCPDLV5VI/Mocher.png fashionfilmfestivalchicago.com - Mocher - dir. Vick Zamfolini https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694582725-J3EAY5ZVI0F1FYB80GU6/NEXUS.png fashionfilmfestivalchicago.com - Nexus - dir. Rossano B. Maniscalchi https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694625352-B48WNSQ5JFT6N5BMI4EK/Ni+Maisha.png fashionfilmfestivalchicago.com - Ni Maisha - dirs. Francisco Maria Galeazzi, Pedro Fernandez Quiroga https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694652268-1BC8ODPF2E4WNEB689AE/one+week+in+milan.png fashionfilmfestivalchicago.com - One Week in Milan - dir. Rebecca Wein https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694688894-6XBNQ30C5HFHX3G9O980/Per+un+pugno+di+fiori+-+Antonio+Marras+pre+fall+%2724.png fashionfilmfestivalchicago.com - Per un Pugno di Fiori - Antonio Marras pre' fall '24 - dir. Enrico Bellenghi https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694715079-R6IFZ3J8G0ZSRO3P4CDZ/Plastic+Crowns.png fashionfilmfestivalchicago.com - Plastic Crowns - dir. Romi Stralka https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694747944-F86Y5ALTWRNY93T7ZGSS/Preziosi.png fashionfilmfestivalchicago.com - Preziosi - dir. Villain https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694780988-0CV3YZ75MVQP5LDUIYPP/Richard+Orlinski.png fashionfilmfestivalchicago.com - Richard Orlinski, The Art Documentary - dir. David Serero https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694806747-EJENM4FZFSOEV8KWFT0K/Salt+Fashion+Film.png fashionfilmfestivalchicago.com - Salt Fashion Film - dir. Will Venter https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694839164-QJ751BMPGFVR4FUHFXF2/Sankofa.png fashionfilmfestivalchicago.com - Sankofa - dir. Ryan Mesidor https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694872152-1S94YVIOL70B701IG5MG/Stitched+Stories.png fashionfilmfestivalchicago.com - Stitched Stories - dir. Alessio Petrillo https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694895571-2PJ9FXN9EVA9E6ZQUZPR/Shaman%E3%80%8DMAISON+de+SIT.E+SS+2025+%28Director%27s+Cut%29.png fashionfilmfestivalchicago.com - Shaman Maison de Site SS 2025 (director's cut) - dirs. Tom Li, Wentao Hou, Yongqi Li https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694924279-VRSW12P9FIV89JXNPIA5/shertienne%3A%3Aseeking+roots.png fashionfilmfestivalchicago.com - Shertienne//seeking roots - dir. Yasemin Gunay https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759694955957-CG9EI8ELVF6O1V0AOAQC/Sole+Express.png fashionfilmfestivalchicago.com - Sole Express - dir. Luigi Dalena https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695001672-TKSJASAXPSK168Q0ZSD3/Ta%27ape.png fashionfilmfestivalchicago.com - Ta' ape - dir. Perry Curties https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695257753-CO5A93KBWYMDYQPFSXPS/The+Daughter+of+the+Sun.png fashionfilmfestivalchicago.com - The Daughter of the Sun - dirs. Jesus Hernandez, Moises Acuna https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695286173-CK5K31PN0TZQSBE9CS08/Titano.png fashionfilmfestivalchicago.com - Titano - dir. Luis Lozano https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695308221-DBEOW5B2DBF0D5L3NQEB/Too+Much+%28Modis+Studio%29.png fashionfilmfestivalchicago.com - Too Much (Modis Studio) - dir. Alejandro Pena https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695329332-4CDA45WYL0U5U29TI2GW/Transitions.png fashionfilmfestivalchicago.com - Transitions - dir. Mariya Vasilevna Yevtushenko https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695394145-L1L0M8F1QKYKTT0VH326/UN+CURRENT.png fashionfilmfestivalchicago.com - Un Current - dir. Fuhua Qiu https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695413967-JKTCJB3ISRQP0SSSZATO/Versace+Jeans+Couture.png fashionfilmfestivalchicago.com - Versace Jeans Couture - dir. Enrico Bellenghi https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695435600-4PI6Q3H567RVH0HWZHAF/Warmis+Sobre+Ruedas.png fashionfilmfestivalchicago.com - Warmis Sobre Ruedas - dirs. Olivera Kamenarovska, Galilea Berthon https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695458508-XMRON60BHDTJ5UGMB809/We+Are+Our+Choices.png fashionfilmfestivalchicago.com - We Are Our Choices - dir. Daniel Marquez https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695481247-ZRAZUQP997LPKTVPD0UO/Where+Time+Stands+Still.png fashionfilmfestivalchicago.com - Where Time Stands Still - dir. JP Micallef https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695505306-BBHCX1M9M9KUSUU1YYBI/1C1Y+FOUNDATION+Fashion+Film.png fashionfilmfestivalchicago.com - 1C1Y Foundation Fashion Film - dp. Josua Graf https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695537008-CVFVY2PJ06XGVOKWXUQB/14+Short+Films+about+Opera.png fashionfilmfestivalchicago.com - 14 Short Films about Opera - dir. Thomas M. Storesund https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1759695560702-7ZU9D2U273VDR71OEMXW/44+Trikots.png fashionfilmfestivalchicago.com - 44 Trikots - dir. Emil Luka Kupfer https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/9530bf6f-573b-4e3f-b6a7-85a9ce700c30/shertienne%3A%3Aseeking+roots+-+youth.png fashionfilmfestivalchicago.com - Make it stand out SHERTIENNE//SEEKING ROOTS - Emerging Filmmaker - Director Yasemin Gunay https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/84867441-cd93-4181-ab8d-52519461eefc/Cenizas+-+La+Petite+Mort+-+E2.png fashionfilmfestivalchicago.com - Make it stand out CENIZAS - LA PETITE MORT - Experimental Silver - Directors Jairshkov Meschanskaia, Andres Roldan https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/d7679c66-0429-42e3-b222-5f6b0415944f/Mijo+-++comedy.png fashionfilmfestivalchicago.com - Make it stand out MIJO - Comedy - Director Mazdey https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1d7620b8-057e-48b2-881a-ddce5991096e/Ta%27ape+-+D2.png fashionfilmfestivalchicago.com - Make it stand out TA'APE - Documentary Silver - Director Perry Curties https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/4e55aad2-f0cb-4e0c-b032-3fef4013fafe/House+of+Lanvin+-+D1.png fashionfilmfestivalchicago.com - Make it stand out HOUSE OF LANVIN - Documentary Gold - Directors Dane Reiley, Alda Matos, Frank Peluso https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/d408cd18-f0fd-47c5-89ad-199d49937efb/De%CC%81ja%CC%80+Re%CC%82ve%CC%81+-+E1.png fashionfilmfestivalchicago.com - Make it stand out Déjà Rêvé - Experimental Gold - Director Paris Mumpower https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/bdc21048-6556-4488-a609-2d5b7802d8e1/Legatum+-+N2.png fashionfilmfestivalchicago.com - Make it stand out LEGATUM - Narrative Silver - Directors Eduardo Barbetta, Giuliny Shauer https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/051f5460-a48c-4af6-a1ce-4c0c80665cf0/A+day%27s+dream+%28Aimee+Joyce+London%29+-+essence.png fashionfilmfestivalchicago.com - Make it stand out A DAY'S DREAM (AIMEE JOYCE LONDON) - Essence of Fashion - Director Dyana Risko https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/9b60b91e-0e4f-4068-9c14-9c6c4fcac3c6/Where+Time+Stands+Still+-+eco3.png fashionfilmfestivalchicago.com - Make it stand out WHERE TIME STANDS STILL - Eco/Sustainable Bronze - Director JP Micallef https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/4c7dd3f4-ccc2-4412-b3fb-e44d7d633681/%E3%80%8CShaman%E3%80%8DMAISON+de+SIT.E+SS+2025+%28Director%27s+Cut%29+-+eco2.png fashionfilmfestivalchicago.com - Make it stand out 「Shaman」MAISON de SIT.E SS 2025 (Director's Cut) - Eco/Sustainable Silver - Directors Tom Li, Wentao Hou, Yongqi Li https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/db7bd7cc-b271-4d28-96f7-e101ab87ad0f/Memory+Fossil+-+editing.png fashionfilmfestivalchicago.com - Make it stand out MEMORY FOSSIL - Editing - Director Jacqueline Yeon https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/8b19a91d-d166-4a98-8ebe-9ece54e45c1e/Karesansui+-+creative+con.png fashionfilmfestivalchicago.com - Make it stand out KARESANSUI - Creative Concept - Director Ola Bodnaruś https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/bb6611b5-3b0a-495d-8a68-77a5e883364a/RICHARD+ORLINSKI%2C+The+Art+Documentary+-+D3.png fashionfilmfestivalchicago.com - Make it stand out RICHARD ORLINSKI, The Art Documentary - Documentary Bronze - Director David Serero https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/f87f7d97-0010-499d-a4dc-ae19f7ee017e/Light+Between+-+N3.png fashionfilmfestivalchicago.com - Make it stand out LIGHT BETWEEN - Narrative Bronze - Director Rob La Terra https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/a500519b-05f6-4440-bd6e-fbfd435eae04/1C1Y+FOUNDATION+Fashion+Film+-+eco1.png fashionfilmfestivalchicago.com - Make it stand out 1C1Y FOUNDATION Fashion Film - Eco/Sustainable Gold - Director of Photography Josua Graf https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/15948f52-2d9a-406d-b1e2-688cb7580631/Mocher+E3.png fashionfilmfestivalchicago.com - Make it stand out MOCHER - Experimental Bronze - Director Vick Zamfolini https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/3e1cc7e6-702f-40ed-99a4-11bd33df51ba/Sole+Express+-+N1.png fashionfilmfestivalchicago.com - Make it stand out SOLE EXPRESS - Narrative Gold - Director Luigi Dalena https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/cc75dcdf-17d3-4074-ac43-2a98aa74eb3d/Back+To+School+-+Corto.png fashionfilmfestivalchicago.com - Make it stand out BACK TO SCHOOL - Corto Corto - Director Victor Claramunt San Millán https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541923803921-IQEWKCEP6LSI55B9YF8O/Screen+Shot+2018-11-10+at+11.31.14+PM.png fashionfilmfestivalchicago.com http://www.fashionfilmfestivalchicago.com/blog daily 0.75 2015-10-25 https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1445786624989-FH349FCN09EH4E4GUW9H/IMG_1046.JPG Journal http://www.fashionfilmfestivalchicago.com/blog/2015/10/25/valeria-fanelli-from-taka-the-path-talks-about-the-business-of-fashion-film monthly 0.5 2015-10-25 http://www.fashionfilmfestivalchicago.com/blog/2015/7/3/diane-pernets-a-shaded-view-on-fashion-film-visits-chicago-1 monthly 0.5 2015-07-03 http://www.fashionfilmfestivalchicago.com/contact daily 0.75 2015-02-17 https://images.squarespace-cdn.com/content/v1/53fe025fe4b09b99036bcf87/1410274666293-06WX95YTKHM00T1FTJE4/EbruYildiz_739_2.jpg Contact http://www.fashionfilmfestivalchicago.com/news daily 0.75 2014-10-04 https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1435390799773-HI5QS1JHGJX4IJ5VJ0EZ/Screen+Shot+2015-06-27+at+2.32.32+AM.png JOURNAL http://www.fashionfilmfestivalchicago.com/about daily 0.75 2025-11-17 https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/c4df811e-71cf-4d02-ae0f-0296f4071c83/Samuel+Iwor.jpg ABOUT - Make it stand out Samual Iwor, Director, EDO ODION https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1614452328476-E1B5Y0RQ1GG9H1N55QKK/Nada001.jpg ABOUT Nada Hashish, filmmaker of the fashion film, “The Desert Dwellers” (2019) Q: Why do you enjoy making Fashion Films? A: Fashion films combine two of my favorite things; film and fashion. The beauty of fashion films is that there is no specific formula for making one; a fashion film can be any genre, and they allow room for various themes of exploration. The process of a fashion film involves different creatives coming together to share their visions, ideas, and inspiration, and so it is a beautiful thing to share such space with passionate people that have a need to create. Fashion films can tackle pressing issues and shed light on difficult topics, and they can also be purely artistic and entertaining. As a Filmmaker who's interested in and follows fashion closely, I enjoy watching how people style their clothes and the colors they opt for. I also enjoy experimenting with my style. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1608412936349-AB11GWXWMXM6O9632Q7X/van+den+Heever.jpg ABOUT Willem van den Heever, director of the fashion film, “Hemp Love” (2020) Q:”Why do you enjoy making Fashion Films?” A: “Fashion is something that has always been there and will always be there – it’s a beautiful form of art and way of expression; combined with the visual art of filmmaking one can create a sort of magic and beauty, but more than this it gives the filmmaker the responsibility of telling the necessary and unheard stories of new and pioneering fashion brands and designers. The ones who want to shape a better future for all in the world of fashion, and not just promote consumerism. In a world oversaturated with fast and cheap fashion, I’m interested in creating fashion films and telling the stories of those brands who fight the good fight against fast fashion – illustrating that thoughtful striking fashion doesn’t have to come with the price of exploitation and pollution and with the right textiles and methods, a more sustainable fashion industry can be shaped, one where the consumer is more aware of his/her impact on the world and environment with the fashion choices they make. We as fashion/brand designers, artists and filmmakers are responsible for shaping the future of fashion for the next generation and showcasing sustainable fashion and brands. Giving light to these brands and stories, combined with the creative freedom that comes with fashion films, is what excites me as a filmmaker most – knowing I’m playing a small part in educating the consumer and molding this more sustainable and cleaner future.” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1474873817097-E5DJW2M4MNDHO5XLM19G/14225574_964308573678490_4506124550418672667_n.png ABOUT https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1615662119269-88BQ0FPCN8NIZIVIKHC9/David+Todd+McCarty+by+Stephen+Hudgins.jpg ABOUT David Todd McCarty, director of the fashion film, “The Makeover” (2019) Q: ”Why do you enjoy making Fashion Films?” A: “Fashion is a form of fantasy, that can encompass an endless variety of cultures and aesthetics, so it allows for a wide variety of expression. Much of the fashion films I see are pushing boundaries and experimenting with norms, but I tend to revert back to a more romantic notion of what fashion can be. It’s more about glamour and sophistication than edgy and cool. Within that framework, however, you can explore all manner of issues. I lean into beauty, no matter what story I’m trying to tell. It’s about how to make it look like a place you want to live, not just a dress you want to wear.” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1622388365187-YXCLSXPDK5BBR2ZIGIKE/kaela+profile+pic.jpeg ABOUT - Make it stand out Kaela Waldstein, director of the fashion film, “Walk with Pride” (2019) Q: Why do you enjoy making fashion films? A: As a filmmaker, I aim to make socially conscious work, to elevate underrepresented voices and help them tell stories not often heard in mainstream media. For me, Fashion Film has been an unexpected medium to accomplish this. My film "Walk with Pride" serves as a platform for contemporary Native voices in Fashion working to break the mold others have long placed them in. Their work goes beyond being visually striking; the clothing embodies a rich cultural history and also reflects changing cultural identities. It is about boldly claiming the right to personal expression in a world that is stuck to rigid and limited ideas of who Native people are. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1539053449322-IITK12E8DPI4WLEXJZA1/Nicola+Leone.jpg ABOUT What is the value of Fashion Film?: Nicola Leone, director of the fashion film, “Aufheben”, says: Fashion film is [a] synonym of freedom. Freedom of expression. Freedom of experimentation. Freedom of vision. Through fashion films you can forget about the rules and you can stage your own way to see things. It is a dimension where I feel free to use different languages and disciplines: architecture, philosophy, art, music, etc... They all can be together in the same context in the service of Fashion. Yes, this is the power of Fashion Films. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541796875680-6P3DHW6DVFQVWT98JMV4/Screen+Shot+2018-11-06+at+1.09.46+AM.png ABOUT Q: ”What is the value of Fashion Film?" Anafelle Liu, director of the fashion film, "Outré" says: "Fashion film is a playground for contemporary moving images [where the entire] medium evolve[s] and compliment[s] each other in a myriad of ways." https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1614032542962-6LQL4C5GZ9N1DS54ISYS/Miguel+C.+Saraiva_Awake.jpg ABOUT Miguel C. Saraiva, director of the fashion film, “Awake” (2020) Q: Why do you enjoy making Fashion Films? A: Directing a fashion film means that I will have the opportunity to portray, in images, the times we live in. It drives me to know that I will be able to create a movie that will be able to communicate with the audience through something that is part of our daily lives – clothes – and through a creative medium that is framing the time – Fashion. Also, the aesthetics are key for me as a director and they are also key in this genre. So, working in a genre that values them, allows me to work in a space of creative freedom, because, in the end, I know that I’m creating a movie for an audience well-versed in visual culture. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541796994065-3349M75GA2AMWCBZBJJQ/image-asset.png ABOUT Q: "What is Fashion Film?" Anke: For me, a Fashion Film is a narrative that introduces fashion to the audience in a compelling way. It presents the possibility of extending the conceptual realm well beyond the visible qualities of the actual product, and introduces the imaginary and a range of associations for viewers to make. Q: "I make Fashion Film because...?". Anke: It gives me, the fashion designer, the chance to collaborate with other professionals beyond the traditional fashion world. Remote Embodiments was produced in association with filmmaker Daniele Wilmouth. Exchanging ideas, sensibilities, and working within a new medium (video) instead of garments is challenging and fun. It opens up the minds of everyone involved. Anke Loh, director of the fashion film, "Remote Embodiments" https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1607802064220-J3I4XU85GI1FJGELJCJS/Yulia+Reznikov+Photo.jpg ABOUT Yulia Reznikov, director of the fashion film, “Show Number 11 (Backstage)” (2020) Q:”Why do you enjoy making Fashion Films?” A: "I’m fascinated by fashion! The feeling of creating an imaginary world with concepts is fascinating. I enjoy the process." https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1618076316271-2QCBGV1681KDGVR41JHO/Nick.Harmsen.jpeg ABOUT Nick Harmsen, co-director of the fashion film “Stieglitz SS/18 Morocco” (2018) Q:”Why do you enjoy making Fashion Films?” A: “Fashion films give you more freedom to play with new and distinct visual styles. Unlike other commercial films, fashion films are more open to abstraction and let the beauty of the products speak for itself. That is why there is often more room to experiment.” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1493925064411-44UTHWXXP207IXF1M5E6/14522965_988238457952168_2556184686658346941_n.jpg ABOUT https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/07b161b1-7c26-424f-b2d0-55e8a79eb354/fashionfilmimage.jpeg ABOUT - Make it stand out Monika Mrońska, director of the 2022 fashion film, “Lamentation” Q: “In what way/s can Fashion Film make a positive global impact?" Monika: “Film is the fastest and most effective way to reach people and spread important news. It is an interactive, multidisciplinary field of art, just like fashion. I love how these two intertwine and connect with each other. Fashion films can be a carrier of important content, raise key social, economic and political topics, as it gets people's attention due to its interesting visual side. It can make people think more about our world situation. And fashion itself is an applied art that we have contact with on a daily basis and is a perfect medium to communicate with the world nonverbally. Therefore fashion films can be a powerful communication tool, when used wisely, it can influence people's awareness of the global problems of the modern world.” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1540392239930-KCORHS5D3FSEIGLSH2XJ/10247459_10206457368445715_1553773990918184162_n.jpg ABOUT Q: What is the value of Fashion Film? Dorothea Schroeder, director of the fashion film, "Malacara" says: "The value of the fashion film lies in the movement and the world of possibilities that this enables, both the fashion and the film are deeply linked to the movement and here is, in my opinion, its main wealth. The film allows us to work with the garment in motion, but also gives us the possibility of generating movement from the medium itself, through the rhythm that occurs within the frame and by the assembly. And it is through this movement, this succession of images that enables us to create a universe and connect with the public from emotion." https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1607190326628-318PNJED76PSPDQPIB7R/Annie+Sakkab ABOUT Annie Sakkab, director of the fashion film, “Hollie’s Dress” (2020) Q: "Why did you enjoy making this Fashion Film?” A: "I think the most significant influence on me and why I love fashion is my mother. I remember I used to watch her sew her own dresses and skirts growing up in Jordan in the seventies and early eighties. She has a beautiful sense of elegance. I wanted to be like her, a fashion designer, until I discovered that, I actually wanted to be an artist instead and went on to get my degree in Fine Arts. So it was a joy to watch Hollie's relationship with her mother as she was learning how to make her first dress. Memories of my childhood came back, and it just felt like home." https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/755d49ab-169e-4270-9668-ec9f1496b560/Vito%CC%81ria+Zamfolini.png ABOUT - Make it stand out Vitória Zamfolini, director of the fashion film, "Rereading of Changes" Q: ”What impact will artificial intelligence (AI) have on Fashion Film and filmmaking?" Vitória: I am a Brazilian director completely inspired by the world of fashion and all its artistic expressions. I am the director of the Fashion Film "Rereading Of Changes", which is in the festival's official selection. My portfolio is basically made up of fashion films, which is why I love the subject of artificial intelligence within a cinematographic and fashion context. For me, the impact that artificial intelligence will have on the world of fashion films is gigantic. This tool will expand the possibilities for making films, allow artists to come up with new ideas and will even possibly generate a new filmic and aesthetic language for films. I, for example, use this tool in several ways: from generating an image through resources like "Mid Journey" that will inspire the look of my films, to helping me with research on the specific theme I'm working on in the film , bringing relevant information so that I can compose my scripts. The creative possibilities generated from artificial intelligence are endless. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1609029640868-OW9SKBD38P3GK3STTR9F/marco-82.JPG ABOUT Marco LOBO De Ornellas, producer of the fashion film, "The Midnight Trip" (2020) Q: Why do you enjoy making Fashion Films? A: My favorite thing about making Fashion Films is the creative freedom that comes with it. In this contemporary fashion genre you can really explore the limits of your creativity while bringing awareness to your favorite brands. It is an elevated platform for storytelling that is both diverse and inclusive. From the modeling and acting perspective it is beautiful to see the alchemy that happens between both performing arts. From music videos to editorial style films, to experimental and documentary narratives, the world of fashion films is diverse as it can get. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/8eda3071-2409-42c4-95b7-15347b400255/andrea+ferrante.jpg ABOUT - Make it stand out I'm Andrea Ferrante, director of the 2022 fashion film Timeless. "A Fashion Film has a positive global impact on directors, on fashion brands; because with this, you can combine all the arts into one, the Cinema: The Seventh Art. This makes you free to express, to tell through images. It becomes something magical, unconventional; we directors are not forced to give up something. With a Fashion Film you can do it and, above all, give back to the public a fantastic imagination." https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1474875014290-AW8NNA373FBXN2O3FZTR/image-asset.png ABOUT "What is Fashion Film?” Fashion Films are where art and commerce meet. Somewhere between an experimental art film and a commercial. Not all filmmakers agree on this; in our taste a fashion film must have some narrative, no matter how abstract. It must be more than a video look book. It doesn’t have to have fashion it it - it can simple capture a designer or brand’s mood. Lately we’ve been experimenting with non-fiction fashion films. Shooting a documentary in an editorial way. Because while we love fashion fantasies, we believe there are thousands of untold fashion stories that can impact consumers and society in a positive way, while still being aesthetically pleasing. "I make Fashion Film because…?" I started making fashion films because I was struggling to find ongoing funding for my independent films. At the time the idea of branded content was new, and I wanted to make films with fantasy sequences and costumes, so fashion was a natural fit. Our first fashion film Immortal Game was the most fantastical film we made, after that we moved more in the direction of non-fiction - for example our fashion documentary Peyote Dreams which told the story of a designer exploring the inspiration for his collection in the mountains of Mexico, or The Polite Woman series, which share inspirational thoughts from bold New York women in the fashion industry. We make fashion films now because we are absolutely passionate about provoking the eco-conscious and the eco-curious with stories about ethical fashion brands with an emphasis on aesthetic. Amber Moelter who along with Luis Barreto Carrillo directed fashion films "The Polite Woman" and "In the Deep" https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/9defb57e-a542-4990-ae45-f0a6cbc8d583/Screenshot+2025-11-01+at+8.17.40%E2%80%AFAM.png ABOUT - Make it stand out Victor Claramunt. Director, Back to School https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/394d4163-91cc-40f5-8512-61c24b855dc9/DeMarte.jpeg ABOUT - Make it stand out Q: “What impact will artificial intelligence (AI) have on Fashion Film and filmmaking?" De Marte: Firstly, what is Artificial Intelligence (AI)? AI refers to “technology that enables computers and machines to simulate human learning, comprehension, problem solving, decision making, creativity and autonomy”. This advancement in technology has already enabled us to develop projects that we never thought were once possible and will continue to surprise us, as it progresses. AI is set to have a significant impact on both fashion films and filmmaking in general, bringing new creative possibilities, efficiencies and challenges to the industry. As a filmmaker, I find the concept of AI to be both scary and exciting. AI can assist designers and filmmakers in generating unique concepts, resulting in innovative visual styles that can help them stand out. It also has the capacity and tools to assist with scriptwriting, storyboarding and can generate look books, leading to a more streamlined and efficient pre production phase. We can acknowledge that we live in a fast-paced world and that is one area where AI acknowledges that time is critical. AI-powered editing tools can analyse footage and automatically cut different scenes based on pre-determined aesthetic preferences (e.g., style of lighting, pacing, or mood). For fashion films, this can expedite post-production and allow directors to focus more on the conceptual aspects. The area of AI is evolving so rapidly and we need to be aware of its ethical issues. AI is powerful, raising concerns about the future of jobs within the film industry. I think it is important to identity a balance between creativity, automation and human talent. Overall, AI has the potential to revolutionize both fashion films and filmmaking by simplifying production processes, open new creative possibilities and boost audience engagement. However, it also presents ethical challenges that the industry will need to navigate carefully. Isabelle De Marte, director 2024 Official Selection Poppy Lissiman https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1620590842379-O0L5TY0VWBUACYG0NNVJ/Omar+Perineau+HR.jpeg ABOUT Omar Perineau, director of the fashion film, “Nouvelle Vague” (2020) Q: Why do you enjoy making fashion films? A: “There is a freedom to explore all styles and genres within this category and it’s that diversity that makes it special. I was always more influenced by styling in movies rather than in commercials. You can create any world or atmosphere you want for your fashion film, as long as it’s inspiring and fun to watch.” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/5253a96e-abf9-4272-a771-ed8ec9902997/WhatsApp+Image+2025-05-26+at+17.30.23.jpeg ABOUT - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1616258309269-HP0Q7BMHTFVKS5A9IMH7/Kamilya+Issaliyeva.jpeg ABOUT Kamilya Issaliyeva, director of the fashion film, “#OurHeritage” (2019) Q: ”Why do you enjoy making Fashion Films?" A: “I have always believed Filmmaking to be a powerful storytelling tool, just as Fashion. In fact, fashion is a story itself. It's a story of the way we imagine, construct, preserve and present an identity to the public. If you look close enough, it's a story about power, memory, and longing. Fashion is a language of human expression. What could be a better way to explore this language than through a medium of endless audiovisual possibilities offered by filmmaking?” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1616945554315-I76GC9R3S5626C2LJHF4/Luca.jpeg ABOUT Aytekin Yalçın, filmmaker of the fashion film, "SKIN" (2020) Q: ”What inspires you to make Fashion Films?" A: "When dresses become actors, when eyes become freedom, that's where a fashion film begins." https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1610813459531-YC8LL8IQDYJKEVQVV7VI/tetyana+aleks.jpg ABOUT Tetyana Aleksandrovych, director of the fashion film, "She" (2020) Q: Why do you you enjoy making fashion films? A: For me it is the most beautiful thing in life to create things and meet creative people. Their skills and ways of thinking inspire and move me. I look to see who, what and how [concepts] could fit together best. It is incredible what you can create when talents of creative minds work together and inspire each other. Then something new, powerful and great is created. And that is fashion film. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541796815756-XA20XLPNW89X68YIH8G6/CiroAyala+%282018%29.JPG ABOUT "What is the value of Fashion Film?" “I believe that the value of a Fashion Film consists in the level of Reaction, Awareness and Discussion that it creates in the audience, through the use of Aesthetics as the main plot device.” ~ Ciro Ayala, director of the fashion film, ‘Black Era - Bark’. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/f8761ee6-4ba8-4e10-a6a4-764bfb44094e/how+many+stitches.png ABOUT - Make it stand out Q: What impact will artificial intelligence (AI) have on fashion film and filmmaking? A: Artificial intelligence influences fashion filmmaking in both creative and technical aspects. It can be used as a research tool during the pre-production process to analyze trends and issues in the fashion industry, making a film more timely. While it won’t replace the scriptwriting and story conception process, it can contribute to it as a source of inspiration — it can also help a filmmaker experiment and visualize different filmmaking styles. Using AI's analytical ability, filmmakers could potentially send their screenplay drafts, their main casting requirements, and the profile documents of the casting options they already had and ask AI to make the best choice. AI could also search for new casting ideas by linking to its database, which recommends potential crews to reach out to. As video editing tools evolve quickly, with several software updates every year, filmmakers have more choice and flexibility in timeline editing, color correction and audio mixing with the assistance of AI. Some AI functions can already analyze footage and images and recommend filters and color tones accordingly. While AI can take away from certain irreplaceable creative aspects of fashion film and filmmaking, it would be useful to assist filmmakers with predicting fashion trends. These films would benefit from a better understanding of potential future fashion movements or even recycled trends that may return in the future. In all, AI has both benefits and consequences, but it will inevitably find its way into the journalism industry, so finding ways to ethically and efficiently implement it into our projects will create stronger stories. Sidra Dahhan, Tianshu Hu, Tara Mobasher and Ziyue Xue, directors of 2024 Official Selction, “How Many Stitches” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1618771810228-BE3UGR2WLXV5Q3QODTI0/Anastasia+Shtandke.jpeg ABOUT Anastasia Shtandke, director of the fashion film, "What am I?" (2020) Q: Why do you make fashion films? A: I’m learning from my heroes. The hero of my movie is a strong and beautiful young lady. Despite the fact of her disability she is a professional model. She proves that there are no physical restrictions; the problems are inside the mind. These true stories are always relevant. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541796949935-FEA00MUNWKS5NBGKSY0U/Screen+Shot+2018-11-06+at+12.53.37+AM.png ABOUT Q: ”What is the value of Fashion Film?" Fashion film director, Daniele Testi of Popkorn Films, says: We think the value of fashion films is the melancholy hidden behind his rhythm. The images become the mirror of a distorted reality where the world we know meets those mazes in our head. The Fashion Films represents an attempt to share those mazes with the people around us in order to reduce the distances. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/71854657-7bee-4af6-8830-3aa20ee6a6d8/Director+photo.jpg ABOUT - Make it stand out ¿What inspires the visual style of your fashion films, and how do you choose the mood or tone for each project? Jairo: What inspires me, mainly, is cinema, my visual memory is tied to a wide variety of films that I have seen. When I approach a project, these images connect with the concept of the idea that I am going to build. With this, I begin to weave a narrative structure with images, which from the beginning already involves camera movements, framing, compositions, color palettes and editing rhythms. With this beginning, I socialize an idea that contains concept and audiovisual development, starting from there, the uniqueness of the project begins to sculpt, because part of the tone that a project obtains at its completion, is due to the connection and harmony of the different artists who participate in it, since without this creative community, a project would lack interdisciplinarity, moving away from the objective of making a piece with substance and plasticity. Fashion Film Cenizas – Jairo Martínez Cuéllar. Medellín – Colombia. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1610220787859-XEWMLNWS1JH89H71GK6X/virgo-241.jpg ABOUT Massimo Ivan Falsetta, director of the fashion film, "Eclectic Fashion Film" (2020) Q: Why do you enjoy making Fashion Films? A: “What other form of communication allows you to throw creativity, beauty, and freedom into a blender? Adding a pinch of mystery, three drops of metaphor, and a fistful of melody to concoct a sparkling cocktail of multi-sensory delight? A freshly squeezed blend of fashion and cinema”. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/4522c007-c289-4d45-beb7-6eaa5d6f0db8/image_123655411+%281%29.JPG ABOUT - Make it stand out Q: What impact will artificial intelligence (AI) have on Fashion Film and filmmaking? Manolo Andrade Gorab (Director, co-writer DRAMA) A: We believe that AI is poised to transform fashion films and filmmaking in numerous ways, impacting both the creative and production aspects changing how things are done behind the scenes and on-screen. Here’s how it’s making a difference. - Personalized and Interactive Content: AI enables interactive films where viewers can make choices or try on clothes virtually, creating a more engaging experience. Example: The Fabric of Reality. In this VR fashion film, AI was used to create an immersive experience where viewers could interact with 3D versions of the clothing designs. It combined fashion, storytelling, and technology in a way that hadn’t been done before. - Faster Pre-Production and Editing: AI speeds up processes like storyboarding, scriptwriting, and video editing, making production more efficient. Example: Runway's AI tools. Runway, a platform that uses AI, helps filmmakers automate video editing tasks like background replacement, cutting down on both time and production costs. - Trend Prediction: AI analyzes social media and online behavior to forecast fashion trends, helping filmmakers stay relevant. Example: Stylumia. This platform uses AI to forecast fashion trends by analyzing millions of data points. Filmmakers can use this to craft fashion films that feel fresh and in line with upcoming trends, ensuring they resonate with audiences. - Virtual Models: AI-generated models like Shudu and Lil Miquela are being used in fashion films, offering flexibility and cutting-edge visuals. Example: Shudu and Lil Miquela. Both Shudu and Lil Miquela are AI-generated models who have appeared in real fashion campaigns. Filmmakers can use characters like these to wear digital clothing or appear in completely virtual settings, blurring the lines between reality and CGI. - AI in Fashion Design: Designers use AI to create new styles, which are featured in fashion films, pushing creative boundaries. Example: Iris van Herpen’s 3D-printed Couture. Iris van Herpen is a designer known for blending tech and fashion. She’s used AI and 3D printing to create incredibly intricate pieces that push the boundaries of traditional fashion design. Her work is often featured in fashion films, merging art, fashion, and tech in a futuristic way. - Virtual Production: AI-powered real-time rendering allows filmmakers to create and edit virtual sets, enhancing creative freedom. Example: The Mandalorian's Virtual Sets. “The Mandalorian” made waves in the industry with its use of AI-powered virtual sets, created in real-time with Unreal Engine. Fashion filmmakers can now use similar tech to build entire worlds without needing to leave the studio, offering a lot more creative freedom. - Automated Subtitles and Dubbing: AI automates subtitles and dubbing, making films accessible to wider audiences.AI can also help fashion films reach a wider audience by automatically generating subtitles or dubbing the dialogue into different languages. This means films can be distributed globally with much less effort and cost.Example: DeepDub. DeepDub is an AI-powered service that can automatically dub films into multiple languages with high accuracy, making fashion films accessible to global audiences without losing quality in translation. AI is changing how fashion films are made, from the creative process to the technical side. It’s making production faster and more efficient, while also opening up new possibilities for creativity, storytelling, and audience interaction. As AI continues to develop, it’s likely we’ll see even more groundbreaking changes in both the fashion and film industries. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/bd63f46b-a305-4ffe-848d-5defea561cd3/CHICAGO+FASHION+FILM+FESTIVAL+2024+-+AI+STATEMENT+LISA+MCFADDEN-+JOURNEY+CUBA.jpg ABOUT - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1538493556040-7T4UQB5U6A0HR9CEJKEA/JJ+Torres.jpg ABOUT https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1613271057150-O1RIWGQHZTHZWQXQQ7XB/Screen+Shot+2021-02-13+at+8.47.53+PM.png ABOUT Jessica Batson, director of the fashion film, “Mellow Yellow” (2019) Q: Why do you enjoy making Fashion Films? A: I am obsessed with the details. Creating visually rich films gives an amazing outlet for artistic expression. I want to be immersed in a world of textures, colors and big visuals. I am heavily influenced by baroque and renaissance works, I love the dedication to detail. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1615052269506-EHJVIOOVNA8SGE7V1NEP/7+ambre+C.jpg ABOUT Ambre Cardinal, director of the fashion film, “Senses” (2019) Q: "Why do you enjoy making Fashion Films?" A: I am passionate about Fashion and Art. Being a multidisciplinary artist, Fashion Film is definitely my most relevant expression medium between Fashion and Art. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1474875293966-LKHZ0XPWDJBW83THN8LA/image-asset.png ABOUT Q: What is a fashion film? Laura Kaehr: A fashion film is a narrative or abstract short film. I think that, it’s a very rich and growing form of art, which I often like to experiment with. I am currently writing on my first feature film and waiting for the funding to be final, this process can take a long time. So its almost painful to be far from the set, I feel this constant need or urge to find news ways to tell a story, to stage a scene and direct actors. Being able to work on fashion film offers me the possibility to keep shooting, keep growing, keep creating and keep the inspiration flowing, and its a great platform to experiment and work with all sorts of new different artist and colleagues. I also believe that the future of advertisement and fashion film is narrative long films. Q: I make fashion films because...? Laura Kaehr: I love this question ! Ahhhhh, the reason why I make fashion films is because I love fashion. I think my past life as a professional dancer contributed in making me fall in love with the world of fashion. Having danced wearing costumes by amazing designers and having explored all the incredible ways to show and move in these creations. This love for fashion stayed with me as a film director, and when I collaborate with a designer, I simply love the brainstorming and creating process and all the time we spend talking about the collection and the inspiration that we both see and feel. I usually combine dance in my fashion films, because I feel that the marriage of the different arts works well and gives a somewhat special poetic feel to the film. Laura Kaehr, director of the fashion film, "Avian" https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/69f31cf2-577d-4e11-a5dc-1a8728ebb99e/Matthew+Donahue+and+Joshua+Lightle+Amsterdam+T-Shirt+Project.png ABOUT - Make it stand out Matthew Donahue and Joshua Lightle, directors of 2024 Official Selection, The Amsterdam T-Shirt Project. Q:”What impact will artificial intelligence (AI) have on Fashion Film and filmmaking?" A: We make documentary films highlighting popular culture topics and fashion is one such topic. The clothes we wear is like a removable tattoo. How one is feeling about the world can be expressed in the fashion/clothes that one wears, everything from a t-shirt to high end brands can be a way to express oneself and having fashion documented in film allows for a documentation of fashion and attitudes about fashion during a particular time for generations to come. AI will contribute to filmmaking and assist filmmakers from pre-production to the final production, even to the film’s premier. Ai can contribute to ideas for projects, assist in scripting, images used, music used, subtitles, narration and countless other ways. Most importantly it is best to use AI as a tool that the individual/filmmaker controls rather than let AI control the individual/filmmaker…..always best to rely on human creativity and effort first and then let AI serve as an assistant in the process of creating. With this in mind, rely on human effort first and let AI add the icing on the cake. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1617461176801-IY62ALMAP8RYT43JUMEE/Luciano_Munhoz-headshot.jpeg ABOUT Luciano Munhoz, director of the fashion film, "Stella McCartney SS/19” (2019) Q: ”Why do I enjoy making Fashion Films?" A: I consider that fashion film is one of the few kinds of films that allows an enormous amount of freedom and creativity, even considering that it's a commercial film to sell products. And that for a filmmaker is the best of the worlds. You can do anything, and the possibilities are infinite. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/b384396b-f0c6-486d-ae78-2861c71fb8a3/Luigi+Dalena.jpg ABOUT - Make it stand out SOLE EXPRESS - director LUIGI DALENA LUIGI: The visual style of my fashion films is always shaped by the narrative, even when the story is subtle or unspoken. I’m drawn to a cinematic language where mood, silence, and detail can carry emotional weight. I take inspiration from classic cinema, but I try to filter those references through the identity of the brand and the world we’re building together. For Sole Express, the tone was deeply influenced by Wong Kar-wai’s In the Mood for Love, a film I return to often for its ability to express desire, distance, and rhythm through framing, color, and movement. That kind of restraint, where the most powerful emotions stay just beneath the surface, is something I’m always chasing. I choose the tone based on what the clothes represent emotionally. Sometimes it’s about intimacy, sometimes about memory or tension. But I always want the style to serve the feeling, not the other way around. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/f1f8ba89-5080-49d9-8d0a-e36e2b7c8f87/Mazdey+Snob+-+Headshot.jpg ABOUT - Make it stand out Mazdey Snob, Director, Mijo https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1606592531929-3M330XFVXTQJSZE3YE1Y/Kevin+K+Wong ABOUT Alvin Kean Wong, director of the fashion film, ‘The Waiting’(2020) Q: “Why do you enjoy making Fashion Films?” A: Fashion Film are the best because they have no rules; the audience who will understand it, just gets it. I can have all the fun and imagination using different formats to create a look, era, or intimacy. I am not looking to please everyone from my film, just want to share the creation and have some fun. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1474874403234-SDZEGBH3MF4EMKUVMLNG/image-asset.png ABOUT Q: What is fashion film? Joanna:Fashion film is a more immersive way to experience fashion; it goes beyond capturing one perfect moment to giving the audience a 360 view of a moment. Q:Why do you make fashion film? Joanna:I make fashion film because I want people to see how magical fashion is. The things that you see outside the major shows are unlike anything else you can experience. To me that’s where the magic is, in how people are utilizing fashion on the street. "London Fashion Week" filmmaker Joanna Theodorou https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1619363255772-JBK4YTKRLO70S1R4T2UC/VanessaWeber.jpeg ABOUT Vanessa Weber co-director of fashion film “ONYGO x Adidas Falcon” (2019) https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1621443120590-RJN66L1LLI4HXOAQEIUI/directrpic_2MB.jpeg ABOUT - Make it stand out MARNIK A. BOEKAERTS, director of the fashion film, “The Tournament” (2020) Q: Why do you enjoy making fashion films? A: For me I found a certain artistic freedom in making fashion films. As a filmmaker you are often confronted with having to make a lot of compromises from your original idea for a video. In fashion films I feel that my artistic vision really gets embraced. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1539707241913-6Z78H9W74NMXQVSJDO7H/Irene_Cacciarini.jpg ABOUT "What is the value of fashion film?": Irene Cacciarini, director of the fashion film, “Sugar Rush” says: In these past few years, the world has been discovering the powerful, expressing tool of fashion films. Its greater value resides in being a bridge between fashion and storytelling, and giving to the filmmaker an interesting range of creative freedom in order to deliver his / her message. Fashion films are not anymore just videos stolen on the set of photo shootings: they are becoming creatures of their own, with their stories to tell. It’s very exciting to be a part of this transformative moment. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1469133578538-HT3CTF30L2SZLBL2T4QA/image-asset.png ABOUT Mazdey: What is fashion film? A fashion film is a story where the main role is fashion, clothes or the spirit of a designer or a brand and where the cinematographic language is used to tell the story. Mazdey: We make fashion film because we love the creative freedom. The freedom of the cinematographic language. We can make a film that has no classic narration style but can tell emotions or ideas in an abstract way. Also we can create an story around a designer or a collection. It’s a new way to express yourself and create. "ISPAGA" Fashion Filmmakers Mazdey (Film Director) & Casuso (Film Photography) We create stories, We ‪#‎Showyourpassion‬ www.snobsolutions.com https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1469964591059-YI8RYR0O0J2SS11CLDMI/image-asset.png ABOUT What is Fashion Film? We at Mindconsole feel a fashion film is a work of art used to convey the mood, energy and overall feel of a brand - whether it be a clothing label, jewelry maker or accessory brand. Our company's conception is actually thanks to many international fashion week productions over the years, and the experience we gained through this could be seen as a reflection of the work we produce in the fashion world today. I make Fashion Film because...? As with many of Mindconsole's previous films, such as "La Naissance", a film created for dress manufacturer Morris Janks, "Bring Your Time" was created with the highest degree of creative freedom given to us. We find this to be an extremely rewarding way of working that opens up an entirely new world of imagination and creativity -- when compared to other less creatively demanding projects. Mindconsole thoroughly enjoys creating films in the fashion genre and we hope to have the opportunity to do so once again in the future. "Schullin - Bring Your Time" filmmaker, Harry Kemp, Mindconsole Photograph credit: Eva-Maria Guggenberger. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/2be348ca-0690-4a4f-9c26-5bf216b2491a/le+otre+studio.jpeg ABOUT - Make it stand out Le Otre Studio’s directors: María Paz Serra, Julieta Olivieri, Martina Sainz Ballesteros - directors of 2023 film: "Enlace Ancestral" Question: ”What impact will artificial intelligence (AI) have on Fashion Film and filmmaking?" Answer: María Paz Serra, Julieta Olivieri, Martina Sainz Ballesteros: “We believe Artificial Intelligence will be an ally tool, with which we can bring to life the craziest and most challenging ideas we can come up with. It will also help to speed up pre-production processes, such as storyboarding, or scenario inspiration. It is the access to non-existent references, which allows us to pre-visualize the ideas. Anyway, no matter how much this technology grows, it's always the ideas that make the difference.” https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1620048749485-N0I23L1DJEXG82B40MVD/Screen+Shot+2021-05-03+at+8.31.51+AM.png ABOUT Lin Sun, director of the fashion film, “Black XS Los Angeles Paco Rabanne” (2020) Q: Why do you enjoy making fashion films? A: The biggest reason why I like making fashion films is that I think fashion films can make people feel pleasure. Nowadays making people happy is not that easy anymore. Actually this fashion film “Black XS Los Angeles Paco Rabanne” was made when I was studying at Art Center College of Design. My professor Matthew, who is a famous fashion film director, taught us how to bring pleasure into the film and make people feel joyful. The secret contains two basic techniques: the “Primitive desire” and “save the best for the end”. The film only lasts 45 seconds but it’s like a feature that has a beginning, middle and end. The audience’s emotions rise and fall with the temple of editing. The reason I like to create a fashion film is that I like watching their reaction after they see the film. I hope they will be pleased, be happy, and be excited. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1605729159180-NXF5NLJHP1WQLNCO2493/Screen%2BShot%2B2020-11-18%2Bat%2B1.47.34%2BPM.jpg ABOUT Michel Jaumin, co-director of the fashion film, ‘Deepest Secret’ (2020) Why do you enjoy making Fashion Films? Why fashion filmmaking, I am often asked. Because all the facets involved create an overall extremely complex piece of art. combine design, designers, setting, models, actors, photographic, cinematic, technology, talent, script, soundtrack, ever-changing technologies to attempt to deliver a flawless result. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1538784927810-WBDOKS6ZQWZMTV2ATT1C/Adwaith.jpg ABOUT https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1563121369371-ZEOBTXCME11KSRCXSUOW/Damiana+Acun%CC%83a.jpg ABOUT Damiana Acuña, director of the fashion film, ‘Claudia Toffano’ (2018) Why do you enjoy making Fashion Films? Making a Fashion Film gives the filmmaker the opportunity to explore visual language in a pure and freeing manner that concentrates on the essence of the impression. What impression are we after? What do we want the fabrics, the movements, the collection and the overall soul of the brand to generate on the spectator? In the realm of cinema, I believe that most films usually fall into prose but Fashion Films, on the other hand, chase after poetry and this is incredibly liberating. I believe that these films can raise awareness and can empower the unseen. Through Fashion and Film we can share new voices, new tendencies and new generations of artists that can light a new way. As a Mexican female director, I was honoured to bring to the screen a project that embraces both the work of Mexican artisans and femininity. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1470538726668-3UPBVIMGIDXCBT48LYL4/image-asset.png ABOUT Emeline Castaneda: What is Fashion film? For me filming clothes is more than what it sounds. What you wear is a statement. It's who you truly are. And being a fashion designer means creating objects for the inner self of people. The designer takes the risk of making a statement. And to make a Fashion Film means to empower this statement with movement. It is finding what's behind the creation and visually building its set. Transforming the statement into movement. I don't think I can find anything more inspiring! Emeline Castaneda: I make Fashion film because I love the possibility of artwork in each new film. Fashion sets a mood, a whole universe, and I go further. I love it when each time, after a long talk with the designer, constraint turns into freedom for both of us. I love creating a new form for those clothes. A new life. That's what I love in fashion films. "Still" fashion filmmaker, Emeline Castaneda. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1619363156989-0M94Y6T8EVWEGS3P7WMH/SebastianSteimel.jpg ABOUT Sebastian Steimel co-director of fashion film “ONYGO x Adidas Falcon” (2019) Q:”Why do you enjoy making Fashion Films?” Steimel & Weber: Fashion Film offers a possibility to experiment with lots of techniques coming from filmmaking, design, photography and much more. It forces us to think outside the box and to work interdisciplinary. In the process of creating a Fashion Film we’re surrounded with lots of creative minds that always bring new influences. We love the fact that there are almost no rules and borders in this genre and that we’re able to show fabrics in movement while telling stories and combining it with contemporary issues. We enjoy creating a small piece of art that matches the product and that has the power to put everything into a completely new context. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541796915316-JTGG3NMOBR8KJXGYTZTL/Screen+Shot+2018-11-05+at+10.19.40+AM.png ABOUT "What is the value of Fashion Film?” John Poliquin directed the fashion film "One Breath at a Time" says: Speaking from my experience, the value of fashion film is its ability to exist as a true expression of the filmmaker. While this varies on the scale of the brand and its marketing team, I have often found myself guided by less of a blueprint and more of a mood. Fashion films can be anything the filmmaker dreams up — they aren't restricted by genre, by length, by look or by message. They can follow a narrative or explore a striking visual idea. They can be experimental and provocative or quiet and introspective. They truly can be anything the filmmaker wishes to express. Fashion films currently exist in a space where they can't be defined. And there's great value in that. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1612198715177-99QL6YBX8SCHN7MEZHK3/Elvin+Jay+Macanlalay.JPG ABOUT Elvin Jay Macanlalay, director of the fashion film, “We got your back, Philippines” (2020) Q:Why do you enjoy making Fashion Films? A: What I enjoy about doing Fashion Films is its purpose, dealing with our shared trance for the community, and also it is a way of celebrating our people and culture. Understanding and experiencing its process first hand is one of my favourite parts, as we get to share our cultural differences, we still end up telling beautiful narrative through clothing. I get to explore and discover remarkable local artisans and brands as well as harms for the workers and the industry as whole. It is the least that I can do as a story teller, to address these causes through their narrative, amplify their voices, and influence values. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/846cd3c7-6340-4a15-9bcc-95efd9b083f0/fffc.jpg ABOUT - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1609616470619-EKE39QFKKLEKN5ZTY35L/Mazdey+Pavon ABOUT Mazdey J. Pavón, director of the fashion film, "The Sacrifice of the Rose" (2020) Q: Why do you enjoy making Fashion Films? A: I love creating Fashion films, I am excited about the whole process from the initial moment where inspiration begins and I imagine how and what the story will be. Also the audiovisual language of fashion film is very exciting because you can explore new narrative forms. I love to show the passion of designers, brands and artists for their creations through my films. https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1435349431082-RPR7PY8S6T2Q8ANOVUF2/Screen+shot+2014-07-09+at+9.28.10+AM.png ABOUT http://www.fashionfilmfestivalchicago.com/band daily 0.75 2019-07-01 https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1562019232810-F2UC4XB1UA99Y5G0LMB1/abre+asas.png 2018 Official Selections https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1562019249432-XK8HL79K62R4KNTQW7E9/airplanes.png 2018 Official Selections https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1562019260267-14VBB5AK2DWGQKFQFM64/aMaeth.png 2018 Official Selections https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1562019270982-BYL9NKFO9D84ZH7BCBTT/ARMOUR.png 2018 Official Selections 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http://www.fashionfilmfestivalchicago.com/readme daily 0.75 2018-11-11 https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541923213714-SWMM2Q7BH7J7KFUALGYH/Screen+Shot+2018-11-10+at+11.16.53+PM.png celebrate 2018 Winners Vinokurov Fashion Film, Anna Dukhonina https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541921992254-GH9LJICX1U2IXW6FVE6A/Screen+Shot+2018-11-10+at+11.53.55+PM.png celebrate 2018 Winners Fetishist’s Pink Daydream, Wang Meiyu https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541921884265-TYLR211M320B4RMEP0Q0/Screen+Shot+2018-11-10+at+10.37.19+PM.png celebrate 2018 Winners City Blossom, Victor Claramunt https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541924449864-4EVHO4RGDWPF9667Y2AJ/ac.png celebrate 2018 Winners In Your Eyes, Olivier Ronot https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541921298116-CGR3OAJPRXS0C0F6K2WX/Screen+Shot+2018-11-11+at+1.23.52+AM.png celebrate 2018 Winners Start the Buzz, Giacomo Boeri & Matteo Grimaldi https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541921538545-7XS9TX5TGXW9U04ICALE/Screen+Shot+2018-11-11+at+12.20.58+AM.png celebrate 2018 Winners Fashion & Free Trade, Samantha Schroeder https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541922159805-WI28RMNUCP49I59Z1FZ5/Screen+Shot+2018-11-11+at+12.04.27+AM.png celebrate 2018 Winners Guo Pei: Couture Beyond (Nicolas Gregorieff & Savannah College of Art & Design), Olivier Ronot https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541920840363-3Q9R55NKV5NGWADOKGXY/Screen+Shot+2018-11-11+at+12.30.08+AM.png celebrate 2018 Winners I Am An Individual, Noir Tribe https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541921798661-Y8MDOJPOC7QKXQZK729F/Screen+Shot+2018-11-10+at+11.08.44+PM.png celebrate 2018 Winners Back In Fashion, Belinda Bonan https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541921441479-0GTN5OAWLUVOSRLS9IT0/Screen+Shot+2018-11-10+at+10.58.16+PM.png celebrate 2018 Winners The Perfect Parisienne, Victor Claramunt https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541921638865-VBT8Y499DOYSKFOLRIQI/Screen+Shot+2018-11-11+at+12.55.25+AM.png celebrate 2018 Winners In your eyes, Olivier Ronot https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541923164669-9P302UJSW37K67HM9U3O/Screen+Shot+2018-11-10+at+11.05.03+PM.png celebrate 2018 Winners 20 Years of Sun, Carlos Mach https://images.squarespace-cdn.com/content/v1/558da1b7e4b06f2955f8a48d/1541922848999-Y4LKREY7W1YMR0KXS9H3/Screen+Shot+2018-11-10+at+11.33.46+PM.png celebrate 2018 Winners http://www.fashionfilmfestivalchicago.com/live-horizon daily 0.75 2025-05-09 https://images.squarespace-cdn.com/content/v1/53fe025fe4b09b99036bcf87/1412382515167-NYTYRFP4MI9A3XNUUR27/EbruYildiz_372.jpg Live http://www.fashionfilmfestivalchicago.com/merch-horizon daily 0.75 2025-05-09 https://images.squarespace-cdn.com/content/v1/53fe025fe4b09b99036bcf87/1410274640336-H4791UKWGLC0U4J8LXRL/EbruYildiz_508.jpg Merch http://www.fashionfilmfestivalchicago.com/merch-horizon/gravity-rings-tee-msweh monthly 0.5 2014-09-05 https://images.squarespace-cdn.com/content/v1/53fe025fe4b09b99036bcf87/1409942926394-JS0O3HARDXGEP898CNLO/shirt_3.jpg Merch - Gravity "Rings" Tee http://www.fashionfilmfestivalchicago.com/merch-horizon/overlap-tee-ngnga monthly 0.5 2014-09-05 https://images.squarespace-cdn.com/content/v1/53fe025fe4b09b99036bcf87/1409942723561-67DZ9XISA5E50CIJM0LI/shirt_2.jpg Merch - Overlap Tee http://www.fashionfilmfestivalchicago.com/merch-horizon/t-shirt-gkf2g monthly 0.5 2014-09-17 https://images.squarespace-cdn.com/content/v1/53fe025fe4b09b99036bcf87/1409939079477-BJXL1TQ85JCMHPH8I5QI/shirt.jpg Merch - Gravity Saturn Tee